Nayante Stanley

Dancer - Choreographer - Performer

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Biography

Nayante Stanley was born and raised in Miami, Florida where she found her passion for performing and choreographing dance. She started dancing at a studio in her community, Simone's Just Dance Performing Arts Dance Studio, and she's been amazed with this art form ever since. Nayante’s dance background includes Jazz, Hip Hop, Modern, Ballet, Contemporary, African Diasporic forms and continues to utilizes these styles to express herself. She has had opportunities to work with students ages 4-19 and teach them the different aspects of dance. She focuses on enabling one's being and finding ways to activate a sense of co-existing. Over the years her dance practices has transitioned through this performative aspect into a state of developing or being present, questioning how she can go even further or where can this take her. Most of her works have implemented this style of self expression while still utilizing unison. In 2019, she choreographed the opening number for her high school, New World School of the Arts, and the piece was titled “Final Countdown”. It was created for her senior showcase and allowed opportunities for each dancer to leave their mark. Over the years she has performed works by Robert Battle, Peter London, Kyle and Dinita Clark, Pape Ndiaye, Sara Procopio, Tommie-Waheed, Katie Swords Thurman. She's now expanding in her art and studying at the University of the Arts where she’s working on getting her Bachelor of Fine Arts.

Artist Statement

Dance is my way of speaking, it gives me a voice that others try to take away. I want to be loud with my dance and also quiet. My dance can say anything I want it to say, it's my chance to explore, and build on who I am or will be. My practice consists of opposition and allowing the body to understand this beautiful expression of the body while being still but using it as movement. Development has always been something I try to indulge in not only dance but life. I find it intriguing that dance gives us space to create our own spaces. Finding our environment and initiating this call and response that allows us to feed off the people and things around us. I insist on paying attention to the developmental aspect of my art and using it as an influential tool.

Embodiment and Emotional Practices

These two coincide and feed one another. Gospel dance is the most present in my life and fuels both of these practices for me.

Visual practice

How we dress ourselves for the dances we perform in order to fit the character we portray.

Improvisational Practice

Living in the moment.

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Contact Information

email : nstanley@uarts.edu :: phone: 7542340540

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